220 sider. Orig. paperback. Teresa de Lauretis er en italiensk forfatter og fremtrædende professor Emerita i bevidsthedens historie ved University of California, Santa Cruz. Hendes interesseområder inkluderer semiotik, psykoanalyse, filmteori, litterær teori, feminisme, kvindestudier, lesbiske og queer studier. . INDHOLD: PREFACE. ACKNOWLEDGMENT. Introduction 1. Through the Looking-Glass. 2. Imaging. 3. Snow on the Oedipal Stage. 4. Now and Nowhere. 5. Desire in Narrative. 6. Semiotics and Experience. NOTES. INDEX . ### PREFACE:: The essays collected in this book have been conceived and written over the past four years. On or very near my writing desk, in whatever city I happened to be during that time, there was always this sign: "ALICE DOESN'T" I'd picked it up at a demonstration or a meeting-! don't remember exactly-and have kept it with me ever since. It seems appropriate to name the book after it, for not only is the book intended in the same sense as the placard, but both are signs of the same struggle, both are texts of the women's movement. The images or references suggested by the name "Alice" are many and will probably vary with each reader. Whether you think of Alice in Wonderland or Radio Alice in Bologna; of Alice B. Toklas, who "wrote" an autobiography as well as other things; or of Alice James, who produced an illness while her brothers did the writing; of Alice Sheldon, who writes science fiction, but with a male pseudonym; or of any other Alice, is entirely up to you, reader. For me it is important to acknowledge, in this title, the unqualified opposition of feminism to existing social relations, its refusal of given definitions and cultural values; and at the same time to affirm the political and personal ties of shared experience that join women in the movement and are the condition of feminist work, theory and practice. ### Enkelte understregninger i Intro-afsnittet - ellers som ny. (Samling HRN). De Lauretis' account of subjectivity as a product of "being subject/ed to semiosis" (i.e., making meanings and being made by them) helps to theoretically resolve and overcome the tension between the human action (agency) and structure. She makes use of Umberto Eco's reading of C.S. Peirce in order to establish her notion of semiotics of experience. She brings corporeality back to the discourse on the constitution of subjectivity which has been conceived mainly in the linguistic terms.

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